“Feeling Wind” is an exploration into repurposing a brush to allow the user to get a visceral, kinesthetic experience and translation of the movement of wind. It creates a non-replicable, subjective experience through a repurposed traditional East-Asian calligraphy brush and ink on a piece of paper.
The function of the device is to feel the movement of wind.
How can one feel the geometry of wind? How can one embody wind? Can one feel environmental data?